best works of cinematic art ,according to M.Mann
Titolo originale The Wild Bunch
Regia di Sam Peckinpah
Con William Holden, Ernest Borgnine, Ben Johnson, Jamie Sanchez
10 posto.No other picture captures the poignancy of 'the last of', a fin-de-siècle sense of the West, of ageing, of the pathos of twilight.
Titolo originale Raging Bull
Regia di Martin Scorsese
Con Robert De Niro, Joe Pesci, Cathy Moriarty, Frank Vincent, Nicholas Colasanto
9 posto.We are so sucked into the failing and besotted life of La Motta and his need for and pursuit of redemption. The humanity of the picture is as extraordinary as Marty's execution, with its near-perfection in the economy, staging, blocking and compos
Titolo originale La passion de Jeanne d'Arc
Regia di Carl Theodor Dreyer
Con Renée Falconetti, Eugène Sylvain, Antonin Artaud, Michel Simon
8 posto.Human experience conveyed out of the abstract elements of the human face and pure compositions. No one else has shot and realised human beings quite like Dreyer in this film
Titolo originale My Darling Clementine
Regia di John Ford
Con Henry Fonda, Victor Mature, Linda Darnell, Walter Brennan
7 posto.Possibly the finest drama in the classic Western genre, with a stunningly subjective Wyatt Earp (Henry Fonda). And it achieves near-perfection as cinematic narrative in its editing and shooting
Titolo originale L'année dernière à Marienbad
Regia di Alain Resnais
Con Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoeff, Françoise Bertin, Luce Garcia-Ville
6 posto.a defining film. It's almost the end of modernism when counterposed against Godard.
Titolo originale Faust
Regia di F.W. Murnau
Con Gösta Ekman, Emil Jannings, Camilla Horn, Frida Richard, William Dieterle
5 posto.Invented what had never been done before and delivered magic in both its human pathos and visual effects. (My selection is based on having viewed an excellent 35mm print.)
Titolo originale Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb
Regia di Stanley Kubrick
Con Peter Sellers, George C. Scott, Sterling Hayden, Peter Bull, Keenan Wynn, Slim Pickens
4 posto.The whole picture is a third act. It codifies and presents as outrageous satire the totality of American foreign and nuclear policy and political/military culture from 1948 to 1964. And it's more effective for being wicked ridicule than any number
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